Bollywood and the moral compass

For The Express Tribune, 1 July 2014

I recently saw two Bollywood films, both very different and yet very similar. Mohit Suri’s Ek Villain is more like a standard Bollywood film, with good-looking people, a lot of romance, music you’d love to play in your car, and dishoom-dishoom from the first to the last scene. Hansal Mehta’s City Lights is, by Bollywood standards, serious cinema. The real difference between the two is about the budgets, I suppose. Yet, the two films are very similar. Both are set in Mumbai and are about men who are transformed by circumstances — birth, upbringing, migration, love, luck and urban life — into bad men doing bad things to innocent people. The women are passive victims of this violence. Continue reading “Bollywood and the moral compass”